cinemasource:

Buster’s Mal Heart (Sarah Adina Smith, 2016)

(via fuckyeahwomenfilmdirectors)

(Source: kenotype)

dongkelley:
““https://mubi.com/notebook/posts/inventing-the-future-on-andre-bazin-virgil-abloh-and-cinema-s-universal-acceleration
” ”

dongkelley:

https://mubi.com/notebook/posts/inventing-the-future-on-andre-bazin-virgil-abloh-and-cinema-s-universal-acceleration

(via kenotype)

pasttensevancouver:
“Juke Box
East Hastings Street, 1970s, by Greg Girard, from his book Under Vancouver: 1972-1982 and exhibition showing now at the Monte Clark Gallery.
Source: The Tyee
”

pasttensevancouver:

Juke Box

East Hastings Street, 1970s, by Greg Girard, from his book Under Vancouver: 1972-1982 and exhibition showing now at the Monte Clark Gallery.

Source: The Tyee

(Source: thetyee.ca)

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(Source: kenotype)

Women’s adaptation to the masculine ideal of beauty, even if it is so deeply internalized that women experience it as their own, is already soaked with the blood of self-abandonment and identity loss.
Valie Export, Aspects of Feminist Actionism (via sahumerios)

(Source: endsequence, via teardropdancersblood)

kenotype:
“morality is a full body VR tracking device
”

kenotype:

morality is a full body VR tracking device

(Source: depsidase, via escaparc)

(Source: palmandlaser, via escaparc)